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ArtEZ Fashion Show 2019

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On June 7th, ArtEZ, as the first in line of the graduation fashion shows in The Netherlands, presented their Class of 2019 at Musis in Arnhem. The space, with its very and hard to beat own ambiemance, was successfully brought back to the essence by Studio Dennis Vanderbroeck.
The show featured first and second year experiments.  In addition, Collectie Arnhem 2019, the third year collaborative project was presented.
The quality of the mostly raw proposals in the Collectie Arnhem was generally lacking in the graduation collections. Undoubtedly committed and with the best of intentions, the new generation presented itself to the world. It was a show with varying levels, leaving the room with an unanswered quest to know more about the stories behind the work. Often strong in material research and application and not always strong in form and consistency of the collection line up. However, there was enough talent to be enthralled. Especially enjoyed the proposals of Dylan Westerweel, Michelle Vossen, Django Tetteroo, Kevin Pleiter, Manon Romeijn, Joline Kwakkenbos, Nina Librud and here and there individual pieces.

www.artez.nl

Take a look at the highlights and my picture report.

Dylan Westerweel

Dylan Westerweel

Dylan Westerweel

Dylan Westerweel

Dylan Westerweel

Dylan Westerweel

Dylan Westerweel

Dylan Westerweel

Dylan Westerweel

Dylan Westerweel

Michelle Vossen

Michelle Vossen

Michelle Vossen

Michelle Vossen

Michelle Vossen
Michelle Vossen

Michelle Vossen
Michelle Vossen
Jule Völklein

Jule Völklein
Jule Völklein

Jule Völklein
Jule Völklein

Jule Völklein
Jule Völklein
Kevin Pleiter
Kevin Pleiter

Kevin Pleiter
Kevin Pleiter
Kevin Pleiter
Kevin Pleiter
Django Tetteroo
Django Tetteroo

Django Tetteroo
Django Tetteroo
Sanne van Vloten

Sanne van Vloten
Sanne van Vloten
Sanne van Vloten
Nina Librud
Nina Librud
Nina Librud
Nina Librud
Nina Librud
Nina Librud
Nina Librud
Nina Librud
Nina Librud
Birgit Steinbusch
Birgit Steinbusch
Birgit Steinbusch
Birgit Steinbusch
Joline Kwakkenbos
Joline Kwakkenbos

Joline Kwakkenbos

Joline Kwakkenbos
Joline Kwakkenbos
Joline Kwakkenbos
Manon Romeijn
Manon Romeijn
Manon Romeijn
Manon Romeijn
Manon Romeijn

Manon Romeijn

Manon Romeijn

Lisa Bisschop

Myra van Vlimmeren

Myra van Vlimmeren
Myra van Vlimmeren
Myra van Vlimmeren

Myra van Vlimmeren

 Christa Kronenburg

 Christa Kronenburg
Renée Kraaijvanger

Renée Kraaijvanger

Renée Kraaijvanger

Nadine Mol

Luka Mooibroek

Luka Mooibroek

Liu Hong Quan

Liu Hong Quan

Liu Hong Quan

Liu Hong Quan

Liu Hong Quan

Britt Liberg

Britt Liberg

Britt Liberg

Britt Liberg

Britt Liberg

Britt Liberg

Inez Aline de Jong

Inez Aline de Jong

Inez Aline de Jong

Inez Aline de Jong









Collectie Arnhem

Collectie Arnhem

Collectie Arnhem

Collectie Arnhem

Collectie Arnhem

Collectie Arnhem

Collectie Arnhem

Collectie Arnhem

Collectie Arnhem

Collectie Arnhem


Gerrit Rietveld Academie - Fashion Show 2019

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Emma Tornsteinrud
On Saturday 8 June 2019, the fashion department of the Gerrit Rietveld Academy presented "Fashion Show 2019", containing the graduation collections of a new group of designers and a selection from the work of first- and second-year fashion students.
The venue of the show this year was the vacant Tripolis complex designed by Aldo van Eyck, located on the edge of the Zuidas in Amsterdam. 
Fashion Show 2019 presented the results of personal and experimental learning processes of students Laetitzia Campbell, Erika Jonasson, Karis Lindelien, Mika Perlmutter, Bodil Ouédraogo, Emma Tornsteinrud and Krystian Sokolowski who cooperated with graphic design student Vincent Ludwig.
They offer challenging visions on the medium of fashion with a sense of the contemporary and the visionary. They relate to their diverse cultural backgrounds and question Western reality and identity. Especially the proposals that discuss and open up the complexity of today's society made an impression.

https://rietveldacademie.nl

Show report, all images by brankopopovicblog

Emma Tornsteinrud

Emma Tornsteinrud

Emma Tornsteinrud

Bodil Ouédraoga

Bodil Ouédraoga
Bodil Ouédraoga
Bodil Ouédraoga
Bodil Ouédraoga

Bodil Ouédraoga
Krystian Sokolowski & Vincent Ludwig
Krystian Sokolowski & Vincent Ludwig
Krystian Sokolowski & Vincent Ludwig

Krystian Sokolowski & Vincent Ludwig

Krystian Sokolowski & Vincent Ludwig

Krystian Sokolowski & Vincent Ludwig

Laetitzia Campbell

Laetitzia Campbell

Laetitzia Campbell

Laetitzia Campbell

Laetitzia Campbell

Laetitzia Campbell

Karis Lindelien

Karis Lindelien

Karis Lindelien

Karis Lindelien
Erika Jonasson
Erika Jonasson
Erika Jonasson
Erika Jonasson
Mika Perlmutter
Mika Perlmutter

Mika Perlmutter
Mika Perlmutter
















AMFI - Graduation Fashion Show 2019

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Marie Lamberechts
On June 12th, at the Kromhouthal in Amsterdam, AMFI fashion design graduates showcased their final collections. The evening consisted of a fashion show part and then an exhibition.
The show was one with a number of strong presentations and performances and above al a great dose of graduation energy. A number of students had succeeded in making a statement in a few minutes with a clear story. The simple catwalk, rather a theater setup, suited well for the presentations. The highlight of the evening was the display of a diversity of approaches and investigations. Projects on digital fashion, movement, gender, sustainability and identity passed the runway; from blow-up balloon dress presented by Marie Lamberechts, to quirky dance performace by Kateryna Boiko, spectacular take in 'gabber' subculture by Lotte Valkenburg, striking 3D virtual fashion design collection by Iris van Wees, sustainable fashion statement by Juris Efneris to the moving re:GENDER collection and short docymentary by ShannenBijkersma.

http://amfi.nl

Take a look at the picture report.


Marie Lamberechts
Marie Lamberechts
Wannes Akop
Wannes Akop
Kateryna Boiko

Kateryna Boiko
Kateryna Boiko
Kateryna Boiko
Kateryna Boiko
Imke Nijst
Imke Nijst
Fiona Hesse
Laura Silberzahn
Laura Silberzahn

Laura Silberzahn

Laura Silberzahn

Laura Silberzahn

Lotte Valkenburg

Lotte Valkenburg

Lotte Valkenburg

Lotte Valkenburg

Lotte Valkenburg

Lotte Valkenburg

Lotte Valkenburg

Rosan Selles

Rosan Selles

Rosan Selles

Merel van Marken Lichtenbelt

Christy Patijn

Christy Patijn

Iris van Wees

Iris van Wees

Iris van Wees

Iris van Wees

Juris Efneris

Juris Efneris

Juris Efneris

Juris Efneris

Shannen Bijkersma

Shannen Bijkersma

Shannen Bijkersma


Lotte Valkenburg

Alice Birkbeck

Alice Birkbeck

Alice Birkbeck

Kim van den Brule

Inge Tiemens

Inge Tiemens

Inge Tiemens

KABK The Hague Fashion Show 2019

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Stella Kim
photo: Nosh Ipenburg, Lumi Tuomi and Melissa Schriek
Exposed - The show of the fashion and textile department of the KABK, The Royal Academy of Fine Art The Hague took place on 14th of June. The show featured work of bachelor students and fashion and textile graduates of 2019.

The Keep an Eye Textile & Fashion Award 2019 went to textile graduate Stella Hyunju Kim who impressed with her project 'Artificial Calm', exploring the contemporary symbolic meaning of fire.

'My project consists of 2 single beds and a curtain. The bed and curtain symbolises our daily life whilst harbouring the most textiles in our rooms. I researched the patterns of how fire can destruct, deconstruct and decay the structures of daily objects and how it creates layers containing a story. I am introducing a new way of preserving burnt objects by placing it in a room context just the way it is, telling its untold story and values.'

Trumaine Huijts translated his irritation over large fashion brands that are taking over the elements from the skate culture. By experimenting with knitting techniques, he wanted to give something back to the skate community, by showing what else skate clothing can be.  The fashion graduate Lina Lau researched on the meaning of term 'luxury' and translated this in a rich and layered collection, namely the 'A Premium Mediocre Collection'. She mixed historical references from the Renaissance with contemporary sportwear. Vincent Wong impressed with the stunning and well tailored menswear collection 'Juvenile Oddity', exploring traditional tailoring and the influence of technology on our lives.
The theme of technology also occured in the work of Otilia Vieru, exploring speculative virtual reality and the potential impact and influence of technology on mankind. 'Welcome to the Braindrain'  is based on a world in which technology plays a major role, and the humanity does not know how to deal with it. Shijia Hao got was inspired by large cities that are suffering from urbanization and industrialization showing a imaginative working class in a futuristic dystopia.

Take a look at the picture report below. All images unless mentioned otherwise are by brankopopovicblog


Stella Kim
photo: Nosh Ipenburg, Lumi Tuomi and Melissa Schriek

Vincent Wong



Nicolas Jimenez Poveda

Shijia Hao






Trumaine Huijts



Louise Hoving


Nina Dekker





Angelica Danaka



Lina Lau







Otilia Vieru






Third Year students work
Eva Dimopoulou
Eva Dimopoulou
Eva Dimopoulou
Inge Vaandering
Inge Vaandering
Inge Vaandering
Inge Vaandering
Inge Vaandering
Hailey Kim
Hailey Kim
Hailey Kim
Luka Dortmans
Luka Dortmans
Luka Dortmans
Hee Eun Kim
Hee Eun Kim
Hee Eun Kim
Hee Eun Kim
Hee Eun Kim
Hanakin Henriksson
Hanakin Henriksson
Hanakin Henriksson
Tony Ta
Tony Ta
Tony Ta

Selection of First and Second Students work





























Third Year Ritual Costume




 

Fashion Statements - Amsterdam Museum

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Bas Kosters
The clothes we wear reveal something about our personality. Fashion expresses our identity, what we consider important or what we stand for. Curated by Marian Duff, the founder of MAFB and OSCAM, the exhibition features more than 75 historical costumes, each of which was used by their wearer to express themselves or to express a message. In this exhibition, six leading contemporary designers place their creations alongside and opposite our historical collection of fashion from the eighteenth and nineteenth centuries.
For this exhibition, Ninamounah, Bas Kosters, Karim Adduchi, Marga Weimans, Patta and Art Comes First where invited to reflect on the context of the exhibition. In a short documentary they give their personal vision of the exhibited historical clothing.

Fashion Statements is on show until September 8th.
https://www.amsterdammuseum.nl/en/exhibitions/fashion-statements


Bas Kosters


Marga Weimans

Marga Weimans



Ninamounah

Ninamounah

Ninamounah

Karim Adduchi

Karim Adduchi



Litter Cleaning - Schueller de Waal

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SCHUELLER DE WAAL / SDW Studio presents

Collaborative Cleaning Initiative


‘Litter’ 

For Paris Haute Couture 2019/2020 the Dutch fashion design duo Schueller de Waal teamed up with Pik Pik Environnement to present its first Collaborative Cleaning Initiative named ‘Litter’, supported by the city of Paris.

On tuesday 2 July, on a public square, right in front of the town-hall of the 15th arrondissement, a group of 50 models, cool kids and volunteers started to clean the streets in an upbeat cleansing fashion performance. The models picked up trash from the streets, dressed head-to-toe in freshly made garments made from the studio’s leftover fabrics, deadstock and other remains from the fashion industry.

Cleaning (in) Haute Couture
 The act of cleaning served as an inspiration for both the presentation as well as a design principle. With the performance, the initiators aim to make a powerful statement on the current state of the industry and inspire for change. ‘Litter’ is the next step for SDW in unfolding their story of ‘Fashion Therapy’.
‘Litter’ elevates ‘the act of cleaning’ by combining different elements into a collective cleaning session. Rather than changing a location to meet the needs of a fashion show, SDW Studio created an intervention that has a positive effect on the location. Collaborating with local NGO’s (PikPik Environnement, Green Bird Paris) educating about garbage separation and conscious living as part of city maintenance, and fashion professionals (stylists, fashion journalists etc.) supporting the mission, SDW Studio dressed a diverse group of people in an eclectic range of cleaning uniforms.

Collection
Driven by the idea of re-using previous collections and giving them a new context, the collection translates the concept of ‘Litter’ into re-purposing. SCHUELLER DE WAAL re-purposes their body of work into a range of one-size-fits-all and multifunctional cleaning uniforms through various re-purposing design principles.
The foundation of the collection is the repetition of a singular silhouette, a workwear inspired overall. The symbolic meaning of ‘rolling up your sleeves’ to work defines the look and feel of the collection. Through belting systems the uniforms can be worn in various ways, creating different looks or silhouettes within a singular style.
The overalls are made from patchworks of leftover fabrics and past collections pieces. In order to give the eclectic mix of fabrics a uniform look SCHUELLER DE WAAL collaborated with textile artist Aliki van der Kruijs. Her research project ‘Afterseason’ investigates the potentials of waste ink from the textile printing industry. Aliki and SCHUELLER DE WAAL airbrushed a layer of purple pigment onto the uniforms into a unique range of prints. Working from the principle of avoiding to waste resources, everything touched by the airbrush technique has been used and turned into items of the collection. To fix the pigment on the fabrics, a reflective coating was applied, reminiscent of the reflective detailing of waste collector’s uniforms. When photographed with flash unexpected silhouettes within the overalls become visible.

Another tongue in cheek interpretation of ‘cleaning wear’ is seen in the ‘couture’ pieces made from non-woven cleaning cloth in the typical pink and yellow. The NGO’s logo t-shirts, that are normally worn as a uniform in their activities, have been customised with SCHUELLER DE WAAL shirting details. Pieces from previous RTW collections have been cut up and remixed into apron like shapes - featuring a clashing combination of workwear pocketing in luxurious fabrics. As the couture fabrics used were often just sample coupons or leftovers, not enough to create full garments, the fabrics have been re-created with office- and household materials. Aluminium foil re-creates a metallic brocade fabric and marker pens are used to redraw patterns of a floral jacquard. SDW deadstock has been turned inside out and bonded with silk organza leftovers, for a sculptural effect. Shift dresses turned into sleeves, and uniform pants and dungarees are patched with functional design elements.

Most of the cleaning uniforms were accompanied by safety shoes by the Dutch brand EMMA Safety footwear, known for their Corporate Social Responsibility mission. For the silhouettes mimicking couture references, SCHUELLER DE WAAL collaborated with footwear designer Marko Bakovic. A small series of functional safety boots are presented with fully rubberised uppers and soles made from dead stock pleather.

The soundscape of the presentation, a multi-lingual shout out to not litter, was designed by Bea1991.

Photography Team Peter Stigter

S(eeking) D(esign) W(ellbeing)

http://schuellerdewaal.com



















HKU Fashion Graduation Show 2019

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Armia Yousefi

On June 26th, at in Utrecht, HKU fashion design graduates showcased their final collections.
'THE DON'T KNOW SHOW expressed perfectly the free spirt of the class of 2019. Designers who had approached their projects more experimentally showed the interesting proposals such as Esra Copur who with her project 'Programmed Society' analysed the society’s daily habits and routines in relation to consumer behaviour. She wants to portray people as programmed individuals who are constantly buying items because of the routine they got stuck in.  Or Iris Otten who showed a performance with models attached to objects, struggling with imposed restrictions. She visualised her project with a live performance and in a fashion film.  
Studio Noij (by twins Dafne and Nikki Noij) researched the role of the traditional cliches of The Netherlands such as tulips and windmills and the contradiction that these nostalgic symbols do not play a role in the contemporary Dutch culture.
Jiske Kosian addressed the mental issues such as burn-out epidemy. With her collection she aims to break the taboo surrounding negative emotions in particular in regard to men, and to address that vulnerability can exist without diminishing masculinity.
Sophie Wantia presented a playful collection 'Need to Play' as an antidote to the daily pressures, both in society as well as in design methods. While Laila El Alaoui got inspired by hyperreal tourism, Anouk van Kampen Wieling sent her models to a journey to Rockall in Atlantic Ocean, posing a question: How do you prepare for a yourney to nothing?
Armia Yousefi impressed with a personal collection inspired by his Persian heritage, mythology, politics and old photos of his parents' wedding. "The photos date from the late 1970s and were taken in Tehran during the revolution. I was inspired to design my own wedding scenario, and I made a collection that includes elements such as mythology, romance and mixed martial arts."

Featured fashion designers: Leila El Alaoui, Dewi Barend, Esra Copur, Kim Fransen, Janique Hamers, Melanie Hazeleger, Patrick Hiemstra, Eef Hietbrink, Dennis Huizinga, Anouk van Kampen Wieling, Teddy Kamper, Jiske Kosian, Studio E (Ellis van Loosbroek& Elise de Wit), Veerle Martens, Pam van der Meijs, Studio Noij (Dafne & Nikki Noij), Iris Otten, Loes Pennings, Sophie Wantia, Armia Yousefi

www.hku.nl
All images are by brankopopovicblog


Armia Yousefi
Armia Yousefi
Armia Yousefi

Armia Yousefi

Sophie Wantia

Sophie Wantia

Sophie Wantia

Sophie Wantia

Sophie Wantia

Sophie Wantia

Sophie Wantia

Esra Copur

Esra Copur

Esra Copur

Esra Copur

Anouk van Kampen Wieling

Anouk van Kampen Wieling

Anouk van Kampen Wieling

Studio Noij

Studio Noij

Studio Noij

Studio Noij

Studio Noij
Dewi Barend

Dewi Barend

Studio E

Studio E

Janique Hamers

Janique Hamers

Janique Hamers

Pam van der Meijs

Pam van der Meijs

Jiske Kosian

Jiske Kosian

Jiske Kosian

Jiske Kosian

Jiske Kosian

Teddy Kamper

Teddy Kamper

Teddy Kamper
Teddy Kamper
Dennis Huizinga

Dennis Huizinga

Dennis Huizinga

Iris Otten

Iris Otten

Iris Otten

Iris Otten

Iris Otten

Veerle Martens

Veerle Martens

Veerle Martens
Patrick Hiemstra

Patrick Hiemstra

Patrick Hiemstra

Patrick Hiemstra

Leila El Alaoui

Leila El Alaoui

Leila El Alaoui

Kim Fransen

Kim Fransen

Loes Pennings

Melanie Hazeleger

Melanie Hazeleger

Melanie Hazeleger

Melanie Hazeleger
Eef Hietbrink



WDKA Fashion Show 2019

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Mirthe Alferink
On July 5th, the fashion design class of 2019 from the WDKA  (Willem de Kooning Academy in Rotterdam) presened their graduation show at Ubik theatre. The show, organized by the students themselves, provided a charming insight into their mostly personal graduation projects. With themes as sustainability, LGBTQ+ community, internet culture, streetwear and sportswear the show provided a diverse approach to contemporary fashion design.
Chloë Severien presented a ready to wear knitwear collection based on re-usable yarn made from recycled PET plastic. By using fabrics as a medium to tell stories, Larissa Ishimwee gave voice to a group of illegal refugees of Amsterdam.
Robin Cuppens deconstructed the business suit, Susanne Vos presented the 'new look' based on sportwear and Axel Verwee made his collection by waisted tents from festivals. Mickey Nerrings presented the most outspoken collection based on voilence and bullying against the LGBTQ+ community. He translated this into the idea to use the scarecrow as a metaphor to scare away the bullies and fight against anti-gay voilence. Project that intruiged the most was Adobefashion by Rosalie van Pinxteren. With this project she explored the influence of internet culture on today's digital fashion and its role in our changing perception of reality. By translating photoshoped shapes into actual garments she questioned if we can still distinguish reality from manipulation and vice versa. In addition, she aims to show that fashion manifests beyond the physical world.

Instagram: wdkafashiongraduates
https://www.wdka.nl
Robin Cuppens
Roosmarijn van Soest

Mickey Nerrings

Mickey Nerrings

Mickey Nerrings
Mickey Nerrings
Mickey Nerrings

Chloë Severien
Chloë Severien

Chloë Severien

Chloë Severien

Susanne Vos


Manou van den Berg
Axel Verwee

Axel Verwee

Larissa Ishimwe

Iris Korkman

Iris Korkman


MAFAD Graduation Expo 2019

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Jolieke Kessels
MAFAD Graduation 2019 exhibition took place from July 4 to 7 at the building of academy. The exhibition featured graduates from fine arts and design department. Unlike the other academies in The Netherlands MAFAD graduation did include a fashion show. The Body design students will present their fashion show during FASHIONCLASH Festival in November.
The exhibition already provided a close look to their projects.
The graduates presented a variety of concepts based on sustainability, sportswear, slow fashion, craftsmanship and emancipation of menswear.
Julina Vanille Bezold presented a well-researched collection by presenting a sustainable design manifesto that aims to create a new awareness for the appreciation of clothing. By equating the new ancient holistic teaching of the Chinese Wu Xing concept with a holistic design approach, her collection contains five outfits that can all be worn in multiple combinations. In addition she created a film to show a glimpse behind the Wu-Xing philosophy, namely that everything in the world and in the universe is connected.
Michelle Cornelissen created an alter ego 'Michi'm' portrated as a Disney villian based on her personal characteristics, visualising the different identities behind a single person and the freedom to play with identities. Natalia Rumiantseva presented a collection of jewellery objects inspired by her childhood spent on a small farm in Russia and the relationship of all species in the world. Her project 'Can you kill the chicken?' touches on many aspects of our culture, society and emotions. 'We based our civilization on using animals and for centuries cruelty was and still is an integral part. However, what are the reasons for the cruelty and how do we preceive it nowadays in time of humanization and progress?' 
Jolieke Kessels combined traditional crafts with contemporary materials and techniquesaiming to showcase slow fashion and a gettaway for the busyness of our lives.
The Body design department exhibition also featured work of Dana Lipka and Ashley Luypaers, both Lichting 2019 finalists and work of Max Niereisel and Empar Juanes Sanchis.

http://www.mafad.nl


Ashley Luypaers
Ashley Luypaers
Ashley Luypaers
Ashley Luypaers
Ashley Luypaers
Julina Vanille Bezold
Julina Vanille Bezold
Julina Vanille Bezold
Michelle Cornelissen
Michelle Cornelissen
Michelle Cornelissen
Michelle Cornelissen
Dana Lipka
Dana Lipka
Dana Lipka
Dana Lipka
Max Niereisel
Max Niereisel

Max Niereisel

Max Niereisel
Max Niereisel

Jolieke Kessels

Jolieke Kessels

Jolieke Kessels

Jolieke Kessels

Natalia Rumiantseva

Natalia Rumiantseva

Natalia Rumiantseva

Natalia Rumiantseva

Empar Juanes Sanchis

Empar Juanes Sanchis

Empar Juanes Sanchis

Empar Juanes Sanchis

Empar Juanes Sanchis

Darcy Neven

Annemarie Caenen

Annemarie Caenen

Milan Faassen

Milan Faassen

Nowah Kater

Vera Gotwalt

young n sang - Street Vendors

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young n sang showed second sustainable collection 
'Street Vendors' during Helsinki Fashion Week

This season was inspired by Korean traditional market. If you go to Korean Traditional Street Market, you can feel the market’s own vibesbecause there are lots of coloful prints clothes, odds and ends that are mainly hanging on the wall or placed in the center of the shop. They seem so fancy and wild. Street vendors outfit have their own colors that you can’t find anywhere. They don’t have any certain rule in how they wear. They do not consider harmony of incompatible fancy colors and prints combinations, and harmony of silhouettes. These features took our attention. Their outfits might be ridiculous to others, but they were richous to us. We love their weird harmony.

For this collection, we mainly used colorful granny shirts and vivid flower prints, hip sacks that are necessary wearing items of street vendors in Korea. Also, traditional tweed jacket details, odds and ends are used for this collection. In fabrication, we had focused on hand weaving and patchworking skills. For example, we made handwoven denimlik jacket which made of vinyl clothes. Also, we made handwoven shirts from leftovers for aming to be zero waste collection.

@youngnsang















Fashion Makes Sense Award 2019 Program

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FASHIONCLASH presents the 3rd edition of ‘Fashion Makes Sense Award’ (FMSA), a returning motivation prize for young designers. This project aims to develop talent and support sustainable designers on the one hand and raise awareness of sustainability related issues with a larger audience on the other.
The 10 finalists will present two outfits; one at Cube Design Museum and one during FASHIONCLASH Festival 2019 at the SAM Decorfabriek. The contestants are in the running for the Jury prize of €2.500,- and the Audience prize of €1000,-! The winner of the Jury prize will use these funds to create a sustainable collection, which she/he will present during FASHIONCLASH Festival 2020. The winning designers will be announced during FASHIONCLASH Festival 2019

Kick Off Program, 28 September
In co-operation with Cube Design Museum Kerkrade, FASHIONCLASH will host an official KICK OFF event Saturday the 28th,  a day full of interesting workshops, key note speakers and the opening of the Fashion Makes Sense Award exhibition where you can vote for your favorite outfit.

Program
10:00 - 14:30 / Workshop 1: JOIN Collective Clothes (Anouk Beckers)
11:00 - 12:30 / Workshop 2: Awearness Fashion - Duurzaam en succesvol ondernemen in de mode industrie (this workshop will be hosted in Dutch)
11:30 - 14:30 / Workshop 3: Hackaton Speculative Future Fashion, Theo Ploeg
14:45 - 16:15 / Fashion Talk, moderated by Jeroen Junte
Speakers:
- Karin Vlug (UNSEAM)
- Linda Valkeman (OBRONI WA WU)
- Amber Jea Slooten (The Fabricant)
- Esther Muñoz Grootveld
- Branko Popovic (Taskforce Fashion)

16:15 - 17:30 / Official opening FMSA 2019 Exhibition & Public Voting

More information about program and tickets:
https://www.fashionclash.nl/fmsa-2019 

MEET THE FINALISTS



Linda Valkeman

Aurélie Fontan

Barbara Stutz

Elke Lutgerink

GARCIABELLO

Iris van Wees

Anouk Beckers

MOTHERWOMB

N. Palmer

yiyu chen

SMUK. Decorative techniques in fashion: a show-off

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Fashion Museum Hasselt is preparing for SMUK
On october 12 Fashion Museum Hasselt launches 'SMUK. Decorative techniques in fashion: a show-off', an interactive world full of splendour.
This new exhibition covers both historical and contemporary decorative techniques that are characteristic of luxury fashion. The exhibition will show clothing, accessories and couture adorned with embroidery, feathers, pearls, stones, sequins, shells and other curiosities. And it is not only recognised atelier studios like Hurel, Lesage and Lemarié that will play a central role, visitors will also be involved in the exhibition. In the chambers of wonder, visitors can try out high-quality decorative craftwork.


Alexander McQueen, herfst-winter 2010
© Catwalkpictures
A new perspective on decorative techniques in the (luxury) fashion world
The story of SMUK starts in the eighteenth century: the heyday of the decorated clothing item, and a time in which even gentlemen begin to dress themselves lavishly with embroidered jackets and cardigans. The rococo period is also the time when crafts like le brodeur, le plumassier and le rubanier were described by Diderot and d'Alembert in their Encyclopaedia. These professions are still closely linked to exclusivity and luxury within the fashion world and haute couture.

The industrial revolution in the nineteenth century resulted in ever greater speed. The various exclusive techniques could be carried out by a machine. Even though haute couture is associated with hand-made luxury and craftsmanship, designers have begun to increasingly supplement craftsmanship with machine and computer-controlled techniques in their quest for exclusivity and innovation.

Technological progress boosts decorative techniques
On the other side of the spectrum, the exhibition highlights experimental techniques from recent years, such as laser cutting and 3D printing. This journey through time in the world of embellishment and decoration unravels the technical aspect, tells the socio-economic story, and demonstrates the visual and aesthetic value of the creations. Fashion houses such as Patou, Lanvin, Dolce & Gabbana, Gucci, Dior, Balmain, Ann Demeulemeester, Iris van Herpen and Alexander McQueen steal the show at the Hasselt Fashion Museum.

_Sarah Burton voor Alexander McQueen, lente-zomer 2013
© Catwalkpictures
Interaction in the chambers of wonder, and an exclusive look behind the scenes of Paris atelier studios
SMUK is not only a visual feast for the eyes. The exhibition has a unique way of introducing visitors to the various decoration techniques and their evolution. Thanks to a collaboration with MIA.H, it is possible to make a decorative pin or cuff link using modern techniques such as computer-controlled embroidery, laser cutting or 3D printing. The other chamber of wonder reveals the setting of a classic atelier studio as it was used by the embroiderer, feather maker, and flower maker.

The campaign image for SMUK (attached), taken by the famous photographer Tim Walker, shows a creation by Raf Simons for Dior (Raf Simons for Dior, spring/summer 2013 haute couture) for which the front and back were embellished by atelier Lemarié, while the inside was taken care of by atelier Noclercq. Belgian designer Raf Simons was the creative director of the French fashion house, Dior, between 2012 and 2015.

Expo “SMUK. Decorative techniques in fashion: a show-off” Hasselt Fashion Museum, from 12 October 2019 to 8 March 2020 Hasselt
Fashion Museum, Gasthuisstraat 11, 3500 Hasselt www.modemuseumhasselt.be
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Björk, 2001
© Nick Thornton-Jones & Warren du Preez

Museum Motus Mori

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Photo: Hanneke Wetzer
Museum Motus Mori - Katja Heitmann at Marres
13.09.19 - 27.10.19

German choreographer Katja Heitmann and ten dancers are creating a museum for physical movements that face the threat of extinction. Museums are meant to preserve human culture and history. It nearly goes without saying that they do so through objects, installations, and occasionally, stories. But humanity itself is missing in this solidified version of our lives. For six weeks, five hours a day, the dancers and the choreographer will take on the remarkable challenge of creating a new museum precisely for that purpose. Museum Motus Mori will sensitize visitors to the deep humanness hidden within the body.

In choreographic sculptures, Heitmann zooms in on details of human motricity to unravel it into patterns, specific sequences of structures, and seemingly eternal loops. A choreography for the collarbone, a dance of belly button, belly fat and rib cage, a phrase for the heartbeat and knee muscle arises. Body parts are isolated, mechanically brought into motion, the hips tilted, the leg lifted, driven across the space in a meticulously technical manner, every movement of which is deliberate. The fragments are constantly repositioned in time and in relation to one another, sharpening and questioning our perceptions.

Museum Motus Mori lets visitors experience what a museum of human movement can be. This does not happen only through experiencing the dancers: the exhibition also includes two interview spaces where visitors can ‘donate’ their personal movements to the museum. The score (notation) of those movements will be shown in the exhibition’s archive room. This will lead to a full cycle of donation, notation and exhibition of a museum in which each muscle is an anatomic trigger that underscores the vulnerability of human existence.
The choreographer and her team will spend two months in Maastricht for this project, on which they will be working every single day.

More info: https://www.marres.org/en/programmas/museum-motus-mori/

Redress Design Award 2019

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Redress presented the finalists from the Redress Design Award 2019 at CENTRESTAGE Hong Kong.
Maddie Williams Redress Design Award 2019 winner
The mail prize was given to designer Maddie Williams, alumna Edinburgh College of Art, whose collection makes use of up-cycling and reconstruction techniques. The Runner-Up Prize went to Carina Roca Portella, an MA student at ESDI Barcelona and the Hong Kong Best Prize was presented to Keith Chan. Moriah Ardila, a student from Shenkar, was given the People’s Choice Prize.

An international judging panel presided over the event, including Tillmann Lauterbach (Creative Director, REVERB), Ruth Farrell (Global Marketing Director, Textiles, Eastman), Leaf Greener (Fashion Journalist), Orsola de Castro (Co-Founder of Estethica and Co-Founder of Fashion Revolution), Denise Ho (Fashion Director, The R Collective),Roger Lee (CEO, TAL Group) and Clare Press (Podcaster and Sustainability Editor-at-Large, Vogue Australia).

New Fashion Narratives

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New Fashion Narratives: A collaboration between FASHIONCLASH and Bureau Europa

On Thursday October 17, the exhibition New Fashion Narratives will officially be opened with the Fashion Talk: New Business Models. The speakers are fashion designers who know how to combine their artistic skills with entrepreneurship and thus introduce new sustainable business models for fashion.
Please note: the Fashion Talk will take place at Lumière Cinema (next to Bureau Europa). The opening of the exhibition will take place right after the Fashion Talk, at Bureau Europa (from 18.30 onwards) 

Exhibition
The designers that shape this exhibition see fashion as a mission. They belong to a generation of designers who explore the boundaries of their discipline and question the system and the fashion industry. With their works, they operate in the transdisciplinary domains of fashion, social design, visual arts and they always work with the final user/consumer. This way, they introduce contemporary themes such as inclusiveness, gender, consumption and thus new narratives for fashion.

Participating designers
As of Nū (Karmen Samson) | Das Leben am Haverkamp (Gino Anthonisse, Dewi Bekker, Christa van der Meer & Anouk van Klaveren) | Obroni Wa Wu - Dead White Man's Clothing (Linda Valkeman & Carmen Hogg) | NOIJ (Dafne en Nikki Noij) | Gabriel Fontana | Esra Coppur | JANNA WIERINGA | Lisa Konno | The Fabricant

Opening hours: Wednesday till Sunday - 12.00 - 17.00
Entrance: € 5,00 (students € 3,00), free admission with the Dutch National Museum card.
Free entrance during FASHIONCLASH Festival (1 - 3 November) and during the opening (Thursday October 17)

More information: fashionclash.nl

Fashion Talk: New Business Models, 17 October


Speakers:

Cédric Vanhoeck (Resortecs)

Cédric Vanhoeck is the founder of Resortecs, a company that helps fashion and textile companies with implementing circular economy. It does so by offering products and services that tackle both the economic as well as technical challenges encountered. For brands that advocate circular economy, Resortecs hot-fusing stitching threads make disassembly, repair and recycling of textile products a breeze. This technology has been awarded by the Global Change Award in 2018 – an innovation challenge initiated by the H&M foundation to accelerate the shift from a linear to circular fashion industry.


Flora Miranda
Flora Miranda’s mission is to challenge the obsolete notions of haute couture, and is exploring physical boundary experiences that take place in real and virtual spaces. She sees the body as pure information, a thought that makes it possible to send the body ‘like and e-mail’. Born in Salzburg/Austria, Flora spent her formative years growing up in the circle of a family of artists and musicians where she developed her skills as a painter. In 2014 Flora graduated with a master at the fashion academy in Antwerp and then started working as a freelancer for Dutch designer Iris Van Herpen. Since January 2018 Flora has the pleasure to present her collections seasonally during Haute Couture Fashion Week in Paris.

Arí van Twillert
As a society we completely lost track of how much a piece of clothing is actually worth. Lidewij wants to create more value for every garment she creates by making it personal. She has developed algorithms to go from 3D scan to custom fit garment. She also redesigned the outdated, uncomfortable underwire and invented the Curvearis: custom fit breast support that follows the contours of the body precisely and is 3D printed for every customer individually. Her lingerie is made by hand in her atelier in Rotterdam. Arí van Twillert also offers 3D printed jewelry that matches the lingerie and still show something of what you wear underneath your clothes. All her products are made bespoke and/or on demand so she doesn’t have ‘dead stock’ and therefore significantly less waste.

Amber Jae Slooten (The Fabricant)
The Fabricant is a digital fashion house operating at the intersection of fashion and technology. The fashion future we imagine is collaborative, creative and co-operative. The digital-only fashion arena is a place of freedom, fantasy and self-expression. Everyone should have the opportunity to realize their digital identity, or identities, in a way that they choose, expressing who they are, wish to be perceived, or want to become. Your virtual self can be an extension of your actual physical self - or something completely different. It’s your choice. The boundaries of the physical fashion world do not apply, or any of its rules about how to behave as an industry. We’re at year zero on the digital-only fashion timeline. We have the opportunity to avoid the mistakes of the past and participate in a fashion future that’s creative and sustainable: expressing ourselves while wasting nothing but data, exploiting nothing but the power of our imagination. The Fabricant knows that what we do will only be one part of the story. It’s time to co-create the fashion world we’ve always dreamed of. Let’s take this first step together.

Program for 11th FASHIONCLASH Festival

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FASHIONCLASH presents the 11th edition of the international and interdisciplinary fashion festival in Maastricht.

During this three-day festival, more than 100 emerging designers and (performing) artists from around the world will have the opportunity to show their work to a diverse, international audience. The multidisciplinary program includes fashion shows and presentations, exhibitions, awards, fashion talks theater and dance performances and more.

For more information on the program, participants and tickets: fashionclash.nl

FASHIONCLASH Festival 2019 is all about discovering, stimulating and shaping current developments in fashion and unlocking these developments to a wide audience. FCF functions on the one hand as a stage for designers and artists and on the other as a manifestation in which the role of fashion in the context of society is questioned and used to create dialogue. The festival is an eclectic fusion of disciplines such as (fashion) design, theatre, dance, film, visual arts and welcomes avant-garde new generation who dares to look beyond their discipline. The contextual link on which the content of the festival programme is based are the core artistic values of FASHIONCLASH: namely ‘Clash’, ‘Fashion Makes Sense’ and ‘Community’. FASHIONCLASH Festival stands for crossovers and interdisciplinary collaborations, for placing fashion in societal context and for engagement with a broad audience.
FASHIONCLASH Festival is an initiative by FASHIONCLASH Foundation from The Netherlands.


PROGRAM 

FASHION SHOWS 
1 + 2 November, SAM-Decorfabriek

Fabio Bigondi, photo Niccolo Chimenti
On Friday, November 1st, the Festival will be officially opened with the Dress to Protest performance, followed by the start of the fashion show program. The show program consists of a five show blocks consisting of multiple designers: NextGen, Clash, NextLevel, BODY ALUMNI and Partner & Awards show.
The Fashion Show program is a great possibility to discover the latest fashion talent from around the world. This year, the festival once again offers a stage to fashion designers from around the world such as Bruna Ignatowska from Brazil, Carolina Raquel from Portugal, Fabio Bigondi from Italy, ANNJOY from Germany, Marie Lamberechts from Belgium and Annais Yurca Mancilla from Peru. Dutch design talent is also represented by, among others Chiron Floris, Carlijn Veurink, Berend Brus.

Furthermore, in the program is the Clash show block, that also contains the presentation of the CLASH Project that was specially initiated for the festival. For this project, a number of non-fashion designers have been asked to translate their vision of fashion into a fashion outfit. Participants include the designers Arvid & Marie, artist Bert Snaterse and conceptual designer Siba Sahabi. The Saturday’s show programme kicks off with the 2019 Body Alumni of MAFAD (Maastricht Academy of Fine Arts and Design).

The show programme will be concluded with the Partners & Awards show, where designers from the collaboration partners such as ModaLisboa and Czech Centre are shown. In this show there is a special performance where fashion and opera will clash and costumes from the Fantasio (Opera Zuid) are shown, accompanied by a live performance by the soprano Kristina Bitenc. Fantasio is a romantic comedy by Jacques Offenbach, the grandmaster of comic opera. Costumes for the fools were designed by fashion designers Ferry Schiffelers, Teun Seuren, Dusty Thomas and Maarten Van Mulken.
A number of talent awards will be presented before the Afterparty, including the FASHIONCLASH Festival Talent Award 2019 and the Fashion Makes Sense Award 2019.

For all information on The Shows: click here

THE ROUTE 
Friday, 1 November until Sunday 3 November, various locations in Maastricht

A large part of the program of the FASHIONCLASH Festival 2019 takes place in the city center of Maastricht under the name The Route, with the Sphinxkwartier as the beating heart of it. The Route's program consists of exhibitions, performances, fashion talks and workshops. For example, fashion designers Ebby Port and Henkjenz will show their latest collections at The Student Hotel and you can participate in the JOIN Collective Clothes workshop by Anouk Beckers at De Brandweerkantine. The program is largely free and accessible to a wide audience.

Showpieces exhibition
Jo Cope - photo Nigel Essex


EXHIBITION, TIPS!

Showpieces Exhibition 
28 October until 3 November, De Bijenkorf Maastricht

Showpieces is a multidisciplinary exhibition of the most precious and / or outspoken pieces from the collection of the relevant designers who participate. You can discover the work of Haesung Bong, Melissa Valdes, Sophie Wantia, Bumagn and Jimmy Junichi Sugiura.

photo Lonneke van der Palen, artist Lisette Ros
Class of 2019 exhibition
1-2-3 November / Lumière Cinema

Class of 2019 is a project that is being developed specifically for the FASHIONCLASH Festival. With the help of the scouts Nina Willems, Marlou Breuls and SCHUELLER DE WAAL, a selection has been made of a number of works. These are presented in the form of an exhibition, not a "best of" but a translation of the spirit of the age of the 2019 generation. On Saturday 2 November, the Class of 2019 scouts are invited to talk to the public about their findings from the 2019 graduation projects.

The New Fashion Narratives 
17 October until 3 November, Bureau Europa

The fashion designers who are central to this exhibition take fashion as their mission. They belong to a generation of designers who explore the limits of their discipline and question the system and the fashion industry. With their works they move between the transdisciplinary domains of fashion, social design, visual arts and always work with the ultimate user/consumer. Participating designers include NOIJ, Esra Copur, Das Leben am Haverkamp, Linda Valkeman and The Fabricant.
More info: New Fashion Narratives

PERFORMANCES
FASHIONCLASH is known for its crossovers with theater and dance. For this edition, there are, again, a number of performances to see.

Performance House
1-2-3 November, Marres, Huis voor de Hedendaagse Kunsten

During the festival, the entire Marres building will be transformed into a performance house for crossover performances by young theater makers such as Anthony van Gog and Wieke van Rosmalen and a number of students from the Maastricht Theater Academy.

Iris Otten
House of Confetti, Irene Heldens and Dario Tortorelli
Saturday, 2 November / 15:00h (+- 50 min.) / Kumulus

House of Confetti produces cultural and artistic stage productions that combine fashion with other art forms such as dance, music, poetry, photography and visual arts (performance art). In this production house, Irene Heldens will always act as the artistic driver and guarantee quality by choosing partners who can translate her artistic vision into a stage production.

Hendrik Kegels, photo Max Meyer
In A Galaxy Far Far Away, Hendrik Kegels
Saturday, 2 November / 21:30h / SAM-Decorfabriek

Hendrik Kegels bundled the text of all 269 songs from David Bowie and turned it into his own personal bible. He read them, analyzed them and mixed them together with musician Frederik de Clercq in a symphonic opera somewhere between spoken word and semi-anecdotal lyrics. In this dream-like transformation, Hendrik Kegels reveals the desire to cross our physical and mental boundaries. During the performance, the audience is taken on a nocturnal space trip. A journey full of planets and stars, shaped by a whirlwind of words, synths and beats. A Galaxy Far Far Away is a co-production with Via Zuid - talent development performing arts Limburg.



MASTERCLASSES & TALKS

Fashion & Politics Talk
Saturday, 2 November / 14.00 - 15.30, Lumière Cinema

During the Fashion & Politics Talk there will be a discussion with a number of speakers about the relationship between fashion and politics and how both influence each other. Speakers include Dr. Angela Jansen (RCDF), Peter Paul Kleinlooh (Political Catwalk) and Dr. Bibi Straatman (Director of research Being Political in Art and Design and teacher of artistic research methods)

Class of 2019 Talk
Saturday, 2 November / 16.00 - 17.00, Lumière Cinema

In the context of the Class of 2019 exhibition, which can be seen at Lumière Cinema, a conversation is being organized. Moderated by Rachid Naas, the scouts discuss their findings about the graduation projects.

Gaspard Yurkievich
 Master Bed Talks
1 + 2 November / The Student Hotel

During the festival, a number of masters are invited to share their experiences and talk about their work. In this "In bed with the master" concept, the masters are interviewed by another professional.

Masters: 
- Gaspard Yurkievich
- Sruli Recht
- Barbara Langendijk & Noon Passama x Current Obession
- Philippe Pourhashemi






FASHIONCLASH Festival 2019 is made possible by a.o. Municipality Maastricht, Provence of Limburg, VSB Fonds, Stimuleringsfonds Creatieve Industrie, Prins Bernhard Cultuurfonds, KEVIN.MURPHY, Ellis Faas, DS Automobiles, Coffeelovers, Brand Bier, Thiessen Wijnkoopers, Flessenpost, PL-Line, Sessibon, Design Hotel Maastricht, The Student Hotel, Kaltblut Magazine,Chapeau Magazine and many more.
Overview sponsors & partners.

Talent Invasion - The Museum of Bags and Purses

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The Museum of Bags and Purses (Tassenmuseum Amsterdam) is in transition: from a museum of bags and purses to a dynamic House full of stories about fashion, design, craft, and society.

Talent Invasion arose from the museum’s desire for original, unexpected and surprising collaborations and interventions. By focusing on a new generation of designers, the exhibition enables us to realise this desire by bringing in an avalanche of new ideas that inspire and motivate.

Guest curator and freelance creative director Martien Mellema has selected work especially for the Museum of Bags and Purses by twenty-one promising designers from this year’s graduating class of students from Dutch art, fashion, and design academies. The most important selection criteria? Chutzpah, individuality, and an anarchistic approach. According to Mellema and her team, this is what the fashion industry needs at this time. For this exhibition Mellema collaborated with concept designer Leonoor Ottink and visual storyteller Elin Visser.

Talent Invasion revolves around talents who aren’t afraid to think out of the box; with their work they are commenting on the current zeitgeist and challenging the status quo. It’s about visionary newcomers with original and highly individual opinions, who are refusing to follow existing rules and conventions.

Talent Invasion features young designers: Juris Efneris, Bodil Ouédraogo, Dana Lipka, Esra Copur,Otilia Vieru, Britt Liberg, Dylan Westerweel, Anouk van Kampen Wieling, Joline Kwakkenbos, Iris van Wees, Laura Silberzahn, Empar Juanes Sanchis, Karis Lindelien, Chloe Severien, Mika Perlmutter, Rosalie van Pinxteren, Larissa Schepers, Linda Ludbarza, Satomi Minoshima.

During Talent Invasion the Museum of Bags and Purses will be organising an inspiring program with talks and tours. For more information about the exhibition, the program or tickets visit museumofbagsandpurses.com

Bodil Ouédraogo

Getting Closer Fashion Festival

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Photo: Lonneke van der Palen, Styling: Bernadette van Wijlen
Clothing: Isabell Schulz
De Wasserij fashion incubator in Rotterdam North opens with the Getting Closer Fashion Festival, 16 and 17 November.
During this festival you can get to know local designers and participants of De Wasserij.
The programme contains open studios, workshops, presentations and guided tours and pop-up shop. 

With participants An.Nur, AnoukxVera, Ari Van Twillert, Berend Brus, Studio Dennis Vanderbroeck, Dame Fortune, Inez Naomi, Isabelle Schulz, Kukka design, Marlou Verheijden, De Naaister, EIJK, Studio Markx, Mevan Kaluarachchi, Lisa Konno, Tegendraads, Yophi Ignacia and many more.

De Wasserij is a brand new breeding ground for innovative fashion professionals. The building offers studios, a fashion manufacturing lab and a program of events.

More information: http://dewasserij.cc 

New Order of Fashion - The End is Near

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Pauline de Blonay
New Order of Fashion:
The End is Near / Time for New Beginnings

Location: Warehouse of Innovation

New Order of Fashion  (previously Modebelofte) know how to excite with the latest fashion talents.
Each year the New Order of Fashion presents a selection of striking young fashion graduates who expressed the current state of mind in their fashion projects. Presented in a an overall scenography concept, the exhibition provides one of the highlights of displayed fashion design projects during Dutch Design Week in Eindhoven.

Although this years title The End is Near sounds apocalyptic, the proposals are rather optimistic visions for the future or activist reflections on our current times.

New Order of Fashion composed a strong selection with striking and imaginative graduation projects from various countries.
The topics addressed are climate change, social justice, cultural and gender diversity.

Featured designers are: Ahmed Serour, Andrew Davis, Benedetta Marcucci, Andrea Grossi, Brandon Wen, Esra Copur, Matthew Needham, Ka Yee Lee, Cecily Ophelia, Valentine Tinchant, Anna Sophie Goschin, Laura Krarup Frandsen, Pauline de Blonay, Bodil Ouedraogo, Julia Montin, Vincent Wong

"It is time for new beginnings. It is time to redesign everything from the bottom up so as to do right to the many wrongs; to the planet and all its life, to our fellow human beings, and ultimately, to ourselves."

In addition, projects by Sunbrella x Wendy Andreu, A Common Label (by Alicia Minnaard) and UNSEAM (by Karin Vlug and Bas Froon) are on show.

https://neworderoffashion.com
Andrea Grossi



Andrea Grossi

Brandon Wen

Ahmed Serour

Ahmed Serour

Cecily Ophelia
Andrew Davis
Anna Sophie Goschin
Esra Copur


Valentine Tinchant
Matthew Needham
Julia Montin

Bodil Ouedraogo


UNSEAM

A Common Label

A Common Label

The Arctic - While the Ice is Melting

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The Arctic - While the Ice is Melting opened recently at the Nordiska museet in Stockholm, Sweden. This very urgent large-scale immersive exhibition is designed by Award-winning designers Sofia Hedman and Serge Martynov of MUSEEA.



The Nordiska museet's Great Hall has been given over to the life and changing conditions of the Arctic region. In The Arctic – While the Ice Is Melting, visitors encounter the history and future of the ice, and the 4 million people that live in one of the regions of the world where climate change is most noticeable. Occupying over 2,000 square meters, the exhibition is a result of a close collaboration between the Nordiska museet, 40 researchers and experts from around the polar area and the exhibition designers. The exhibition will be open for three years.


Award-winning designers Sofia Hedman and Serge Martynov of MUSEEA designed this grand exhibition. Occupying over 2,000 square meters, the exhibition is a result of a close collaboration between the Nordiska Museet, 40 researchers and experts from around the polar area and the exhibition designers. The exhibition will run for approximately three years, and there will be an extensive program of seminars and workshops for the public.

“This is one of the most important exhibitions that we have designed”, says Sofia Hedman. “The climate crisis is a critical issue that concerns us all. With our design, we want the visitor to have a powerful and immersive experience, but at the same time feel that we must all come together and act now. Especially politicians and those in power.”

More information: www.nordiskamuseet.se

MUSEEA is a multidisciplinary design platform founded by the artist and design duo Sofia Hedman and Serge Martynov. Over nearly a decade, they have jointly curated and designed numerous critically acclaimed exhibitions in renowned museums and art institutions worldwide. Integral to Hedman and Martynov’s work is creating thought-provoking immersive environments that intrigue, inspire and draw people together. Their unique combination of both conceptual and aesthetic design allows MUSEEA to shape compelling curatorial narratives and in turn, engage their audiences in sensorial and emotive experiences. Their projects are driven by their passions for stimulating collaborations, global inclusivity and sustainable artistic practices.

MUSEEA’s recent work includes the fashion exhibition A Queen Within – Adorned Archetypes at the Museum of Pop Culture, Seattle, 2019, and the New Orleans Museum of Art, New Orleans, 2018, as well as the international film and video exhibition We Are The Remix on view at Röda Sten Konsthall, Gothenburg, 2017. A prior exhibition, Utopian Bodies – Fashion Looks Forward at Liljevachs Gallery, Stockholm, was awarded ‘Exhibition of the Year 2015’ by The Association of Swedish Museums www.museea.com

Photography - Hendrik Zeitler
 







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