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Federico Cina - FASHIONCLASH Festival 2017

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Federico Cina, recent Polimoda Institute graduate, won the FASHIONCLASH Festival 2017 Talent Award. In addition he is selected for Sangue Novo a talent show at ModaLisboa - Lisboa Fashion Week.
His menswear collection 'Come Una Vita Viene Al Mondo' stood out according to the jury and press.

“Exist for the first time, to exist for my country, to exist as if to be born.” (Monica Cirinnà, extracted from the speech to the Italian Senate House). When I created this collection, there was a dabate in to approve civil unions for gay families became legal, so I tackled the subject with greater sensitivity, and I wanted to represent my family. A family without diversity, which can raise a child and do everything a heterosexual family does. Breast pumps included in men’s clothing with a military background, destructured, classic stereotype of the male universe, tell the story of an individual who takes care of their child.
In these dresses there is a desire to make their voice heard, the desire of a child, and the ability to build a family in the future. For me, this collection also becomes the bearer of a social message. It seems absurd that someone can decide what is right or wrong for other people, since this is the name of the collection “HOW A LIFE COMES ALIVE IN THE WORLD”."


Photography Team Peter Stigter

www.federicocina.net
















Gucci AW 2017 campaign and film

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Shot by the legendary Glen Luchford, the coming season’s campaign sees Gucci’s geeks transported into a galaxy far, far away, inspired by sci-fi shows of the Fifties and Sixties and taking major cues from back episodes of Star Trek.

Gucci transports us to to faraway galaxies with its preferred extraterrestrials for its full AW 17 campaign. Inspired by 50s and 60s sci-fi, particularly the interstellar adventures of Captain James T Kirk and his crew aboard the starship USS Enterprise in early Star Trek episodes, Alessandro Michele, art director Christopher Simmonds and photographer/director Glen Luchford have dreamed up a series retro-futurist settings where a mixed cast of humanoids, aliens, robots and earthlings discover Gucci AW 17.
From the fight between William Shatner's Kirk and the Gorn to Jack Arnold's Creature of the Black Lagoon, the campaign reimagines iconic sci-fi scenes and creates a few of its own. Human heroes interact with alien creatures and dinosaurs on Earth before being beamed up to surreal, psychedelic outer space landscapes and trippy spaceship interiors, creating the type of wild and fantastical compositions that Star Trek's Gene Roddenberry could only dream of. With Alessandro Michele as its captain, Gucci will live long and prosper.





credits:
TM & © 2017 CBS Studios Inc. STAR TREK and related marks are properties owned by CBS Studios Inc.

Das Leben am Haverkamp Cruise 2018 Lookbook

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After their bespoke show at Amsterdam Fashion Week, the dutch collective Das Leben am Haverkamp have now launched a lookbook for their Cruise 2018 collection. The concept behind the images, that feature only two dimensional representations of clothes, is to question the need for functionality in fashion. This in an era where it is only used to express an artistic vision.

Photography by Sanja Marušić
www.daslebenamhaverkamp.com











TRINHBECX SS 2018

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Arnhem-based fashion team TRINHBECX, existing of two talent designers Tung Trinh and Tim Becx, presented their latest collection on the main stage at Amsterdam Fashion Week. The striking scenography and presentation was created in cooperation with COLLECTOR. and Studio met met.

The design duo took their inspiration for this spring/summer 2018 collection from the Beast-and-Flower Pictures photo series by Japanese photographer Nobuyoshi Araki, who is famed for his photos of women and flowers, as well as for exploring themes like life, death, and sex. This specific series revolves around the positive feeling that comes from nostalgia. The designers were fascinated by Araki's work, especially his subject matter and use of colour. They transformed the organic, sensual floral shapes into cocoon-like designs that were put together using simple button techniques, creating surprising volumes and sensual, peek-a-boo cutouts.

http://www.trinhbecx.com












FASHION VS. ART

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Marlou Breuls
FASHION VS. ART 

4 March –  6 August2017
Location: SCHUNCK* Glaspaleis, Shop Window (Bongerd 18, Heerlen)

FASHION VS. ART exhibition at SCHUNCK* in Heerlen is curated by FASHIONCLASH and organized in collaboration with SCHUNCK*, this multidisciplinary exhibition questions the relationship between fashion and art.

The multidisciplinary FASHION VS. ART exhibition displays a selection of work by fashion designers who in their own practice question and challenge the boundaries of fashion as a form of art. With their playful and innovative approach to fashion they stimulate our imaginary world and question our perception. They make you ask yourself: Is it art or is it fashion? 

“For me fashion and art are inseparable. All artists try to capture memories and emotions. Fashion or art unfolds itself when people can relate to it”Marlou Breuls 

Art is not only paint and canvas. It has no rules. It is something that can be made with anything and in any way. As broad as the concept of fashion is, it can also encompass ‘art’. The status of fashion within the world of art is a constant topic of disputes. Some legendary designers identify themselves as artists. One of them is Elsa Schiaparelli who declared in her biography that she considers fashion design “not as a profession but as an art”. On the other hand, prominent designers such as Martin Margiela, Miuccia Prada, Karl Lagerfeld and Marc Jacobs disagree with that statement. 

Within the academic sphere and the world of young designers there are many examples of cross-overs with art and autonomous approaches to fashion as a form of art. 

“If you ask me if fashion is art, then I would answer ‘YES’. I believe that everything in this life is art. Art is in fact energy, its hanging somewhere in the air and sometimes you can pick it up, sometimes not” - Jade van der Mark
“Despite the similarities between the two, fashion is not art in my opinion. The most important difference for me is that fashion always starts from the body. 'Body related art' creates usually more towards the body, instead of using the body as a beginning always. Another really important difference is the approach of timelessness in art, both as an artist while creating and as a spectator while experiencing the artwork.” - Vere van Hal



“When people recognize my inspiration without prior explanations I have reached my ultimate goal. This collection blurs the traditional lines of canvas, sculpture, and model. My models' faces are often covered by a masked garment or painted to blend into the work”Marlou Breuls

Anouk van Klaveren
“My designs are based on my paintings. The paintings and the fashion go hand in hand. I get inspired by the way of thinking and moving of our society, I want to translate this into my textiles and paintings” Jade van der Mark 

 “A body as a whole in relation to another body is a basic assumption for me. A body not as a person, not as an identity, but as a volume. During the exhibition Fashion vs. Art I challenge the visitor to experience a garment from a new perspective. The garment becomes an object on its own in which it doesn't have to adapt to the body anymore. I would like to invite the visitor to create new relations with the garment.”- Vere van Hal


--> Participants Part1 (4 March - 21 May): Aina Seerden, Vandaag de Toekomst, By vanharten, Chris van den Elzen, Studio Dennis Vanderbroeck, Elvira ’t Hart, Femke Agema, Statement made by Jade, Pot Luck Mieke Kockelkorn, Minou Lejeune, Pleun van Dijk (reborn), Sanna Schubert, Sidi El Karchi, Vera Gulikers.
Part 2 (25 May - 6 Augustus 2017): Antoine Peters, Anouk van Klaveren, Charlotte Van de Velde, ISIS ELSA FEE, Vandaag de Toekomst, Femke Agema, Statement made by Jade, Marie-Sophie Beinke, Lotte Milder, Marlou Breuls, STEVEN VANDERYT, Tiel Janssen Design, Vere van Hal

Exhibition opening times: Daily from 9 a.m. to 11 p.m. SCHUNCK* Glaspaleis, Shop window. Taking place at the same time in SCHUNCK* will be exhibition of Paint it Soft (Museum -1) and the interactive installation, Emulate / (Ne) Plus Ultra State: the ‘Take-away’ Collection (mezzanine). All three exhibitions address the themes fashion, textiles and texture.

More information: 
schunck.nl/agenda/fashion-vs-art


Anouk van Klaveren

Vandaag de Toekomst

Steven Van de Rijt

Tiel Janssen


Lotte Milder

Vere van Hal

Vere van Hal

Femke Agema

Antoine Peters

Vere van Hal

Jade van der Mark

Jade van der Mark

Linda Maissan

Studio Dennis Vanderbroeck

Annemarije van Harten

Sanna Schubert

Aina Seerden

Sanna Schubert

Vandaag de Toekomst

Mieke Kockelkorn

Minou Lejeune

Pleun van Dijk

Pleun van Dijk

Chris van den Elzen

Femke Agema

Elira 't Hart

ASAP Rocky - RAF

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Spring/Summer 2002 'Kollaps' Sleeveless Hoodie (ASAP Rocky)
ASAP Rocky released the video for "RAF," his musical homage to Belgian designer Raf Simons. The video features Rocky, Quavo, Playboi Carti, and a group of models appropriately dripped in rare Raf. Many of the items—including a Fall/Winter 2003 fishtail parka adorned with Peter Saville's art and a more recent pink Finger Nail anorak from Raf's collaborative Fall/Winter 2014 collection with artist Sterling Ruby—are from the personal collections of Rocky and his stylist (and former Complex editor) Matthew Henson; a few are from Grailed's archive.

Directed by Alec Eskander, the video is an ode to a Raf Simons visual lookbook from the designer's debut Fall/Winter 1995-1996 collection. Much like the lookbook, Rocky, Quavo, Carti, and the models parade across a white backdrop as they show off various archival Raf pieces.

From Fall/Winter 1995 to Spring/Summer 1997, Simons' collections were shown either in videos or presentations. It wasn't until Fall/Winter 1997 that he had his first runway show in Paris.
In addition to the nod to Simons' first collection, "RAF" also references the designer's Spring/Summer 2002 "Woe on Those Who Spit on the Fear Generation... The Wind Will Blow It Back" collection. In the beginning of the video, Rocky is seen lighting a red road flare much like a model did in Simons' Spring/Summer 2002 runway show. Rocky's also wearing the "Kollaps" sleeveless hoodie from the collection.

Saint Laurent stiletto roller-skate

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Saint Laurent has just introduced an actual stiletto roller-skate

The Anja 100 Patch Pop Pump Roller stilettos are part of Saint Laurent’s autumn/winter collection and will set you back a cool £1,995, and you can only buy them in store. They seem to be channelling a Roy Lichtenstein pop art aesthetic for the pair.













Craig Green AW 2017 Campaign

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Craig Green's AW17 Campaign explores the power of combined effort

Shot by Dan Tobin Smith, and styled by Robbie Spencer, Green's AW17 Campaign features garments from his collection 'Fear of the Sea'. Inspired by Leonardo Da Vinci's iconic Vetruvian Man and the majestic arms of Hindu deities, the campaign explores the power – both emotional and physical – of combined effort. The five part photo series depicts its subjects combining their individual strength to take on the unknown powerfully and fearlessly.

craig-green.com





SCHUELLER DE WAAL SS 2018

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‘COMPULSORY 
SHENANIGANS’ 
SS 2018 collection by SCHUELLER DE WAAL

After several small-scale presentations in Paris and Amsterdam, SCHUELLER DE WAAL took the next step. On Wednesday evening September 6th the fashion duo defined their DNA in a sense stimulating fashion show, right next to their offices; the World Fashion Centre in Amsterdam.

In this show, SCHUELLER DE WAAL embraced the imperfections that belong to being a small independent label – finding all sorts of improvised solutions to measure up to the enormous presentations of big fashion houses like Chanel. By referring to- and making use of all the cliché’s belonging to these out-of-proportion and out-of-budget shows, SCHUELLER DE WAAL’s characteristic, light-hearted, tongue-in-cheek attitude towards the oversaturated fashion business reaches an all-time high.

The brand’s motto ‘Serious fashion...not so serious’ is fuelled by its need for a critical reflection on the current state of fashion where fashion and luxury have merged into one inseparable entity. Fashion’s focus on the ‘image’ was questioned in a multi-disciplinary, non-linear and low-key fashion show. The audience was welcomed in the SCHUELLER DE WAAL shopping mall and is confronted with high, low, predictable, unexpected and innovative fashion references.

60 looks gave a full immersion in the SCHUELLER DE WAAL universe. The spring-summer collection of 35 garments is presented by isolating every new piece in a single look. By taking the 60-look-show (which is an enormous amount for an independent fashion label) as a challenging starting point – the designers added materials and garments from their direct environment. It led to a refreshing design principle: a loose, spontaneous collage-like way of working.

Next to the new collection, the show included outfits created from dead stock of the World Fashion Centre, jumpsuits from a recent resort collection, and assembled leftover materials of old collections. Additionally, half-finished garments were sent on the runway: toiles in sturdy cottons are emblazoned with crystals, and demi-couture dresses were exactly half of a meticulously executed dress. With a taste level that deliciously balances between good and bad, SCHUELLER DE WAAL created an innovative vision on the creation and presentation of fashion.

Philipp Schueller and Rens de Waal:
“With ‘COMPULSORY SHENANIGANS’ we present a loud signal, in which we approach the difficult reality of the independent designer in a positive manner. As true fashion-shenanigans (literally: cheaters, but in a cute way) we present a cut-up glamour with an overdose of humor!”

www.schuellerdewaal.com
Instagram: @schuellerdewaal
Photography: Team Peter Stigter 



















Gareth Pugh S/S 18

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Instead of a catwalk show Gareth Pugh presented his stunning new collection with a fashion film in cooperation with durector Nick Knight (SHOWstudio), choreographer Wayne McGregor, and artist Olivier de Sagazan.

Take a look at the fashion film 'This Is Not A Show': here

http://garethpughstudio.com 

photography courtesy Gareth Pugh
















































Björk - The Gate

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Gucci designed the striking dress that Björk is wearing in The Gate video. It took 870 hours to make this peace of art.
The design by Alessandro Michele took approximately 550 hours to make, and an additional 320 hours for the embroidery. The dress’s fabrics include 5 meters of pleated iridescent PVC plastic material, 3 meters of PVC iridescent strips and 20 meters of pleated lurex organza. Alessandro Michele also collaborated as the film’s creative director.
Take a look at just few behind the scenes close-up.

NOBU by Lisa Konno

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“Nobu” is Lisa Konno’s 2017 collection inspired by her Nobuaki Konno and his Japanese origin. 
The collection is a reflection on both his Dutch and Japanese identity. With this project Lisa wants to show the humour that occurs in cultural misunderstandings and give her personal view on Japan. The designs are made from items from Nobu’s closet such as promo T-shirts, vintage kimono’s and his favourite raincoat.

Credits:
Photography: Laila Cohen Styling: Pascal Joel Weber Make-up: Yokaw Pat
Hair: Floor Kleyne

http://lisakonno.com


















 

Comme des Garçons Spring Summer 2018

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Rei Kawakubo showed the beauty of the art of fashion with a collection “Multidimensional Graffiti”.
Kawakubo appropriated the work of 10 artists dating from the 16th century to today, from Renaissance painter Giuseppe Arcimboldo’s masterfully wacky Bacchus-like portrait created from fruits and vegetables to works from e-Boy, a pixel art group established in 1997, and illustrator Stefan Marx.















Rick Owens - spring summer 2018

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Credit: Valerio Mezzanotti for The New York Times


Credit: Valerio Mezzanotti for The New York Times























Old Times by NONsense

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“Creativity requires the courage to let go of certainties. Same as love.” Erich Fromm 

Old Times is a film about love, time and loss. It’s an appreciation of the beauty of the past, an exploration of regret through an insight into our past actions. It reflects on cathartic, life-changing episodes, those emotional challenges that keep on coming back to us. Old Times is a tribute to sorrow, embracing love as a necessary sickness.

The film was directed and produced by NONsense, a photo and video collective formed by Azahara Gómez, Lluis Martí, Luis Rojo, Iván Martinoz and Kevin Speight based between Mexico DF and Madrid. It’s the second project developed in collaboration with the Mexican womenswear brand Simple by Trista. The first, Movement 1, won in 2016 six awards at the Mexican Fashion Film Festival, screened at Berlin Fashion Film Festival and the Fashion Institute of Technology in New York, and in 2017 was part of the official selection at Bokeh South Africa International Fashion Film Festival and Copenhagen Fashion Film Festival.

For their second collaboration, NONsense dug deeper into the values of the brand to reflect Simple by Trista’s emotional aesthetic and personality. With Old Times, the brand celebrates beauty through an appreciation of the past. The imagery of the film is based on the novel The Past by Argentine writer Alan Pauls. Similarly to the characters in the book, the actors also seek to experience the past in the present, keeping an attachment to something long gone. 

Credits 
Director: Kevin Speight
DP: Lluís Martí
Line Producer: Luis Rojo
Actors: Natalia Plasencia, Brien Hansen, Tara Parra, Marcelo Ferrari, Frances Healy
Produced: NonSense Collective
Production Design: Joanna Prado
Wardrobe: Giovani Estrada Bios
NONsense Collective - México DF & Madrid.

Nonsense is a photo and video collective formed by Lluis Martí, Kevin Speight, Zahara Gómez and Luis Rojo.

Our aim as a collective is to talk about things that matter to us; we want to share our worries and passions through our works and learn about life through them. We believe in movement as our main power and our main objective is to move and touch people.

Simple by Trista
Trista is an exclusive Mexican brand focusing on contemporary women. The design process is marked by the study of the body, society, the environment, imagination and the significance of each piece within a cultural context. The woman who wears Trista is delicate and intellectual, knows about trends, but is capable of creating her own story. Someone who loves her city and is in touch with her professional life.

Thom Browne - spring summer 2018

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Photo: Edward James, Alessandro Garofalo / Indigital.tv



























Mykki Blanco meets South Africa’s young queer creatives

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Aged 16, Mykki Blanco left his small South Carolina town to move to NYC and become more than it would allow him to be. Having done that and then some, the performer, artist and iconoclast has recently journeyed to Johannesburg, South Africa for a new i-D film to meet the city’s vibrant queer creative community and hear their unique stories.

Directed by Matt Lambert, Out of this World explores the young South African artists using their platforms to negotiate the complex politics of gender, sexuality and identity in their society. From fashion designer Richard Mnisi to boundary pushing artists Umilio and FAKA, Mykki explores homophobia, changing concepts of masculinity and how the internet is empowering Johannesburg’s youth. It’s a beautiful, intimate portrait of a thriving scene.

Watch the full film below:


Winners Fashion Makes Sense Award 2017

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Fashion Makes Sense Award 2017 
An award for young, conscious new generation designers with innovative ideas for sustainability

MUKASHI MUKASHI by Birutė Mažeikaitė won the Fashion Makes Sense Award jury prize.
Berlin based designer is awarded with a cash prize of €2.500,- to develop a new sustainable collection that will be presented during FASHIONCLASH Festival 2018.
The audience award OF €500, (result of the most online and offline votes), went to Maastricht based knitwear label STRIKKS.

The awards have been presented on October 12 by Daan Prevoo, deputy of the Province of Limburg.
Fashion Makes Sense Award is presented during Dutch Earth Week that took place from 10 -14 October 2017 for the first time.

In addition, Forza Fashion House organized a Sustainable Fashion Falk during the award ceremony. The talk, moderated by Elise Crutzen (fashion editor and writer) featured presentations by Jasmien Wynants and Carry Somers.

The jury, consisting of Carry Somers (founder Fashion Revolution), Desiree Kleinen (Ree projects) Jasmien Wynants (Flanders DC/Close the loop) and fashion designer Elsien Gringhuis, was unanimous about the work of Birutė Mažeikaitė and the potential of her sustainable brand MUKASHI MUKASHI.

Birutė Mažeikaitė label name ‘MUKASHI MUKASHI’ is the Japanese translation for once upon a time… According to her every collection is a new story to be told. Her designs are intended to make a person feel unique, protected and powerful. Under society’s pressure people often treat fashion as something they inherited and not as something they choose by themselves. We are acting to what is told instead of choosing what we really want. This current collection is about the inner battle between wanting to be unique and wanting to fit in. She prefers to produce her own work because she truly enjoys the process of creating and it helps her to come up with unique fabric manipulations.

STRIKKS is a design studio creating knitted textiles for its own brand and in commission. It’s a lab for research of all possibilities in knitting and production processes.
Co-creation with other designers, architects and companies is their drive. STRIKKS thinks it’s important that you are aware of their clothes and production. That’s why they are investigating a new way of making fashion: a sustainable collection in which personalization has the lead. With an interactive method, they aim to engage you in the design process and give you more freedom of choice and better fit. Tailor-made fashion, digitally knitted, on demand and on the spot. This engagement is key for creating emotional value for clothing and it leads to longer wear.





Fashion Makes Sense Award is a project by FASHIONCLASH, made possible thanks to support of Province of Limburg.
The 9th edition of FASHIONCLASH Festival was dedicated to the theme ‘Fashion Makes Sense’, in which the focus was on the senses and the sense making in relation to fashion. The theme shed light on sustainability in fashion, by giving a stage to initiatives and designers and creating a dialogue between the audience and the fashion industry.
With ‘Fashion Makes Sense’ FASHIONCLASH wants to excite young designers, the fashion industry and the audience and create awareness about sustainability in fashion. Fashion is of upmost importance in the economy, society, art, and creativity and for each of us. But, it has a downside: the impact on the environment, the exploitation on workers and the influence on our self-esteem. What is the importance of fashion in our society and how can fashion contribute to a better world and welfare.

FASHIONCLASH has the ambition to develop ‘Fashion Makes Sense to a returning part of the yearly FASHIONCLASH Festival and it is their aim to create awareness around this topic.
With an annual prize, FASHIONCLASH introduced the ‘Fashion Makes Sense’ jury award and the ‘Fashion Makes Sense audience award. A prize for a promising fashion talent, that’ll have a relevant and innovative idea on the awareness and innovation around sustainability.

Fashion Makes Sense Award Expo at Forza Fashion House Maastricht

FMSA 2017 FINALISTS 
1. CHAIN.
2. investigation 8
3. JUDITHvanvliet
4. MUKASHI MUKASHI
5. PAVERT
6. Ridicule
7. STRIKKS
8. Studio M.E.N.
9. Vera de Pont
10. VERENA KLEIN

CHAIN.

investigation 8

JUDITHvanvliet

PAVERT (Joëlle van de Pavert)

Studio M.E.N.

Vera de Pont

VERENA KLEIN

STRIKKS

MUKASHI MUKASHI (Birutė Mažeikaitė)

MUKASHI MUKASHI (Birutė Mažeikaitė)

Ridicule



Program - FASHIONCLASH Fashion Film Festival

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FFFF – FASHIONCLASH Fashion Film Festival
3 - 5 November 2017 in Maastricht

1st international film festival in the Netherlands dedicated to the ‘fashion film’ genre.

FFFF is the first international fashion film festival in the Netherlands. The 3-day program contains screenings with a selection of more than 60 short fashion films from all over the world. The opening film on 3 November is the anticipated documentary ‘We Margiela’. On Saturday there are inspiring workshops, fashion talks, various screenings and award ceremony at Lumière Cinema. In addition, an exhibition and live performance will be presented in cooperation with AKATAK collective. At de Bijenkorf Maastricht you can discover brand new Dutch fashion films and at Thiessen Wijnkoopers a selection of films produced by FASHIONCLASH.

Entrance & Tickets
FFFF is open to everyone and partly for free. Tickets for the film screenings at Lumière Cinema are on sale from € 9. The screenings at de Bijenkorf, Thiessen Wijnkoopers and two of the film screenings and the exhibition at Lumière Cinema are accessible for free.
Program & Tickets: here

Locations:
Lumière Cinema, Bassin 88
De Bijenkorf, Achter Het Vleeshuis 26
Thiessen Wijnkoopers, Grote Gracht 18


FASHIONCLASH Fashion Film Festival 2017 from FASHIONCLASH on Vimeo.


What to expect

(dis)connect by Lies Scheps
FFFF showcases both emerging and established filmmakers and designers who experiment with the genre. A unique opportunity to get inspired by the world of fashion film, discover new talents and learn more about the state of the art of fashion film.
The program consists of a cured selection of relevant movies from last year and several premiere screenings including ‘Kill Your Darlings’ by Maarten van Mulken and filmmaker Pascal Baillien, Dance a measure by Studio Selvedge & Project Sally Maastricht and 'ES TUT MIR LEID! by Annie van Noortwijk inspired by Studio M.E.N.
There are a number of special themed screenings including the Dutch Fashion Film, Fashion Makes Sense Movies and the Act! Cut! Play! screening and talk. In collaboration with AKATAK collective, an exhibition consisting of installations, fashion outfits and films will be presented. In addition, you can join the masterclasses by Canon Nederland and Pascal Baillien.

Awards & Jury
Saturday evening 4 November, the award ceremony will be held with the announcement of nominees and winners. There are also two premieres and a selection of must-see international fashion films. Three awards will be presented: Best Dutch Fashion Film, Best Emerging Talent, Best Fashion Film

The jury panel: Diane Pernet (ASVOFF), Leendert Sonnevent (editor-in-chief, Glamcult), Marcel Schlutt (editor-in-chief KALTBLUT Magazine), Michael Daks (photographer, durector), Richard Dols (director DocFest).

More information about the program:FFFF Program

“As an interdisciplinary development platform FASHIONCLASH focuses on presenting fashion in the broadest sense of the word. The growing interest and the rising submissions of fashion film has inspired us to include fashion films screenings in our program. In 2014 and 2015 we have organized the ‘Fashion Film Night Out’ during FASHIONCLASH Festival. In addition, FASHIONCLASH produced several fashion films, such as ‘Aspire’ featuring topmodel Kiki Willems and most recently the Act! Cut! Play! project.– FC artistic team

The State of the Fashion Film
Undoubtingly the fashion film is here to stay as the industry looks further than just clothes and photography. In this era of e-culture, it is one of the best ways to capture a fashion narrative and to reach a wide audience via online platforms and media. Challenging the norms of traditional advertising techniques and moving fashion shoots, designers have embraced film as an art form and have moved away the use of mundane product placement. Technological developments have made fashion films more accessible. Fashion film has become an essential part of the communication strategy fashion brands and more young designers are experimenting with the genre. In this era of rising e-culture, it is one of the best ways to capture a fashion narrative and to reach a wide audience via online platforms.
Film as a medium is an incredible discipline to tell stories. But is exactly a fashion film? What is the future of fashion film and the state of the art of fashion film?

Act! Cut! Play! Project
Recently, the Act! Cut! Play! Project has been organized, an initiative of FASHIONCLASH, Flemish Arts Centre De Brakke Grond and MoMu – Antwerp Fashion Museum. Act! Cut! Play! is an interdisciplinary talent development project with the ambition to lift the quality of fashion films to a higher level. Three teams existing of a designer, theatre maker, and filmmaker from either the Netherlands or Flanders, were challenged to work together to investigate the possibilities and boundaries of their disciplines and the provided ‘format’ of the fashion film. With the incorporation of a theatre maker, the three teams are challenged to make the narrative an important element within the films.

Since December 2016 these three films are on display in the international fashion, theatre-, film- and art world. Meanwhile the films have received nominations and awards in festivals such as ASVOFF, BAIFFF Buenos Aires International Fashion Film Festival, Bokeh Fashion Film Festival (Cape Town), Mexico Fashion Film Festival and Copenhagen Fashion Film Festival.

www.fashionclash.nl



Just few examples of films that you can discover...

ASMR, models.com, Tarik Malak & Timothy Douglas

Bello, Monica Menez

Canted Conscience, Thomas Nuyten

We Margiela

How to live together? Karime Salame

Gallivant, Bram van Dijk

#WeBelieveInThePowerOfLove Nike / R.T, Luca Finotti

 Dressed for Protest: The Women’s March and Beyond, Glamour Magazine, Amber Moelter at Noir Tribe

Butt Muscle – Christeene, Matt Lambert

Robots, Blitzwerk Studios

Sangue Novo - ModaLisboa LUZ

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Filipe Augusto
Sangue Novo (New Blood) is a platform for young Portuguese designers who get the opportunity to show their work within a collective fashion show. Nine Portuguese designers where selected to show their collections. At the end of the show several awards where presented.
Winner of the FASHIONCLASH / Sangue Novo ModaLisboa LUZ edition is Filipe Augusto.
His prize is participation at Fashion My Religion! The 10th edition of FASHIONCLASH Festival (June 15 -17).

Filipe Augusto, born in Peso da Régua, is currently based in Porto. He graduated from Modatex Porto, in October 2016.
7 skirts is the starting point of this collection. Seven: from the seven Nazaré skirts, the traditional Portuguese costume that represents the seven virtues, the seven days of the week, the seven colors of the rainbow, among other related uses of the number. Elements as skirts and aprons, sometimes emulated in a deconstructed way into more masculine pieces, are distributed throughout seven models, each of them will tell a different story for a different skirt. Crochet is a hidden reference in the skirts and represents the fishing net’s nylon.  

Federico Cina, winner of FASHIONCLASH Festival 2017 Talent Award has been selected to take part at Sangue Novo show. He showed his Polimoda graduation collection VACUUM.

Winner of the ModaLisboa Award is David Pereira. The Feeting Room Award went to Rita Afonso who impressed The Hanged Man, a collection that is both creative and has commercial potential.
Rita Afonso was previously successful with her collection she presented at SangueNovo in March, she took part at FASHIONCLASH Festival 2017.

http://modalisboa.pt/sanguenovo







Alexandre Pereira

Alexandre Pereira

Daniela Pereira

Ivan Almeida

Carla Campos

Carla Campos

Rita Afonso

Rita Afonso
Rita Afonso

Filipe Augusto

Filipe Augusto

Filipe Augusto
Filipe Augusto

Rita Carvalho

Rita Carvalho

Federico Cina


Federico Cina

Federico Cina

Federico Cina

David Pereira

David Pereira

David Pereira

Rita Sa
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